El teatro de objetos, el teatro de títeres y el valor de los objetos como eje fundamental para la formación actoral

Abstract

This text carries out an investigation that is supported and broken down into four major themes or parts: puppet theater, object theater, personal experience, workshop-laboratory. On the other hand, this degree work has a research component that moves between the contextualization of references, the compilation of historical memory of the puppet theater in Colombia and in which new historical information is provided with the systematization of the current movement of the last 20 years. years in some parts of the country. The conclusions and notions that my 8 years of experience in this art have left, the proposal of two workshop-laboratory, the first addresses animation, experimentation and the relationship that is established with materialities and objects, and the second workshop has the objective of exploring the relationship that actors have with objects and thus enhance their expressive, creative and interpretive capacities, taking as methodology the tools of both puppet theater and object theaterThe first 3 topics are proposed in a specific order in such a way that they allow the compilation of theoretical references and what is necessary to address the practical part of the workshop at the end. This degree project is aimed at anyone who wants to enter the world of animation (objects or puppets) and who is interested in knowing a little about the historical memory of puppet and object theater in Colombia, its progress and new research. given in the last 20 years. In the same way, it is focused on actors and actresses who already have tools acquired in the scenic field and who want to experiment with their relationship and importance of the object in the scene.