La voz como puente entre la fantasía y la realidad

Abstract

The undergraduate thesis "The Voice as a Bridge between Fantasy and Reality" reflects on the voice as a creative medium that allows actors to move between imagination, fantasy, and reality. Drawing on personal experiences of vocal training and the dialogue with authors such as Michael Chekhov, D.W. Winnicott, Graciela Montes, Cicely Berry, and Enrique Buenaventura, the research proposes understanding fantasy as a poetic space and the voice as a bridge capable of materializing inner images, memories, and intuitions on stage. Rather than providing absolute answers, the text seeks to open paths of exploration for vocal training based on concentration, intuition, memory, and poetry, so that the actor/actress may integrate their inner and outer worlds and creatively inhabit the boundary between the real and the imaginary.