La proxemia: un camino hacia la creación del personaje Gertrudis en el Montaje de V año "Hamlet príncipe de dinamarca" dirigido por Pedro Migue Rozo

Abstract

The work explores the importance of context and circumstances in human behavior, explaining that interpersonal relationships vary depending on the environment in which they develop. Given that the comprehensive study of human interaction is practically infinite, the research focuses on a specific aspect: proxemics, understood as the management of distances and spaces in relationships. This approach allows the actor to acquire a more precise understanding of human behavior and translate it to their interpretive work, enriching their stage presence with a more conscious and realistic foundation. Furthermore, it emphasizes that communication between characters should be as authentic as that between real people, making the management of stage space fundamental. The physical distances between actors not only influence the creation of scenes but can also determine the entire staging of a play. The text notes that, just as kinesics studies body language, proxemics is another dimension of human communication that offers essential tools for the analysis and development of interpersonal relationships on stage, becoming the focus of the proposed research.