Corporeflexo

Abstract

Corporeflexo, reflective-creative inquiries about my scenic corporeity and its sensitive affectations from the experience of contact with the ritual corporeality of a knowledgeable grandmother, is a research-creaction project that is part of the development of a process of questioning and revisions around the notion of my scenic corporeity through starting from what has been my experience of being a body actress from authors, techniques and various elements, both theoretical and practical. In the same way, the experience lived in the process of contact of my scenic corporeity with the ritual corporeity of grandmother Paola Attama of the Murui Muina and Okaina people in Bogotá, with the questions and reflections that the interaction around thought and movement as collective forms of grouping, sharing and existing. The focus of the project is the analysis and reconstruction of the notion of corporeity in my singular experience as an actress-woman-Bogotá with all its influences, through an autopoietic bet from the triangulation of three methodological concepts that led me to unite the processes of research- creation-action, called movement rehearsal, for the construction of this writing and a scenic- audiovisual exercise carried out in a context of isolation due to a pandemic, both as inputs and interconnected findings as a result of the lived process. These two types of writings are ways of sharing the experience obtained with its various nuances and variables, not as verification of a theory or hypothesis, but as evidence of the course of a path that was traveled since and for the reflection of corporeities.