Estudio de percepción con representantes de las salas de teatro de Bogotá respecto al impacto del Programa Salas Concertadas

Abstract

It is normal for performing arts professionals to abandon their creative concerns and even their careers in exchange for financial stability, and it is not bad to dedicate themselves to a role that is not yours in the artistic field or outside of it in order to maintain yourself but in many cases we use those resources to put on a play which is absolutely ironic, because if we had the option of living from our profession we would stop doing other things and focus on discovering our creative voice and allowing other people to assume those roles. with more passion and dedication, but it is almost impossible to find good opportunities that help you develop your profession in a calm and independent way. That is why I seek in this experience in the District Institute of the Arts to recognize the mechanisms by which the theater groups that have a room have been able to become part of the benefits of the Salas Concertadas program in order to mark a path for the creation of an own theatrical group that not only allows me but also those who are interested, to investigate the creative fact successfully and with state and private support. The District Institute of Arts in the management of Dramatic art gives me the opportunity to see first-hand the artistic work of the country and how and why it is supported using the Perception Study with Representatives of the Theater Halls of Bogotá Regarding the Impact of the Salas Concertadas Program, of which at the end we will conclude an approach of the most appropriate way to start with this company (as Shakespeare says) of working with a theater group that seeks state and private support.