El grito del ser en la interpretación-creación : indagar la identidad y el proceso de identificación como camino en la actuación

Abstract

This writing is a route through what has been my transfer in acting, with key points in crises, disagreements and the paths that led me to recognize Andean music as a fundamental part of my creative development. I will inquire about my identity, the identification process that I have been carrying out as a person, and the way in which this has influenced my acting career. The origin will be an important item, a seed that, by watering it and scrutinizing its questions, will bring me answers about the trade that I could not imagine, with more doubts than certainties, I will be able to remember my reunions with Andean music as the moments that have brought me the security of manifesting that this seed is a cry, ´´The cry of being in the interpretation-creation´´.