De la contemplación estética a la interacción participativa
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Universidad Distrital Francisco José de Caldas
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La vieja concepción idealista de contemplación y recepción artística ha sido sacudida por una fuerte desacralización del arte moderno, lo que establece diversas formas de relación entre artista, objeto producido y público. Las nuevas formas de presentación y representación de las obras de arte hacen que la concepción de intocabilidad del objeto artístico se derrumbe e irrumpa el carácter de la interacción con lo allí presentado. Este artículo analiza las mutaciones que se han operado en el concepto de receptor del arte en una era de globalizaciones tecnoculturales, la cual ha producido un“nuevo receptor” o espectador del arte.
The old idealistic conception of contemplation and artistic reception has been shaken by a strong desecration of modern art, which provides various forms of relationship between artist and audience-produced object. New forms of presentation and representation of works of art, make the concept of untouchability collapse and break the character of the interaction with what was presented. This article examines the changes that have occurred in the conceptof receptor of art in an era of techno-cultural globalization, which has produced a “new receiver” or viewer of art.
The old idealistic conception of contemplation and artistic reception has been shaken by a strong desecration of modern art, which provides various forms of relationship between artist and audience-produced object. New forms of presentation and representation of works of art, make the concept of untouchability collapse and break the character of the interaction with what was presented. This article examines the changes that have occurred in the conceptof receptor of art in an era of techno-cultural globalization, which has produced a “new receiver” or viewer of art.
Palabras clave
Aesthetic contemplation, participatory interaction, aesthetics of reception, art market, user-consumer, museum, globalization, Contemplación estética, interacción participativa, estética de la recepción, mercado del arte, usuarios-consumidores, museo, globalización