Método con conceptos de improvisación en el Jazz

Abstract

The present project contains a series of concepts and technical tools focused on the development of the language of improvisation in the popular music of the American continent, and more specifically in the language of jazz. Its elaboration is the product of the systematization of the knowledge acquired by the author, throughout his musical experience as a student, interpreter, composer and pedagogue. It covers in its first part, the approach of thirteen points that the author has managed to perceive as obstacles for the development of every musician in the improvised language of jazz, through a problem tree. The second part raises some basic resources of the technique that previously must be known and be mastered, to acquire the language of improvisation in jazz. In its third part, it covers everything related to rhythm and articulation within the language of jazz. The fourth part refers to the phrasing of jazz and addresses the theme of melodic-harmonic relationships or scale-mode-chord relationships within the improvised language of jazz.