Bienales como campo de batalla: metáforas en la prensa argentina del siglo XXI
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Universidad Distrital Francisco José de Caldas
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¿De qué manera se representa todo lo que pertenece al arte y su relación con lo que, en principio, parece no ser arte? Decidimos ver este problema en una serie de lecturas críticas publicadas en la prensa escrita de Argentina sobre dos entradas recientes de artistas de ese país en bienales de arte internacionales: "El alma nunca piensa sin una imagen", inscrita en el 29 São Paulo Bienal y "Eva-Argentina. Una metáfora contemporánea ", la entrada del país en la 55ª Bienal de Venecia. Examinamos las metáforas utilizadas en los artículos para referirnos al arte y su relación con la política, y encontramos dos líneas principales: la retórica de la guerra y el campo semántico de lo territorial.
n what ways is everything that pertains to art and its relation to what, in principle, seems not to be art, represented? We decided to look at this problem in a series of critical readings published in the print media of Argentina about two recent entries by artists from that country in international art biennales: “The Soul Never Thinks Without an Image”, entered in the 29th São Paulo Biennale and “Eva-Argentina. A Contemporary Metaphor “, the country’s entry in the 55th Venice Biennale. We examine the metaphors used in the articles to refer to art and its relationship with politics, and find two main lines: the rhetoric of war and the semantic field of the territorial.
n what ways is everything that pertains to art and its relation to what, in principle, seems not to be art, represented? We decided to look at this problem in a series of critical readings published in the print media of Argentina about two recent entries by artists from that country in international art biennales: “The Soul Never Thinks Without an Image”, entered in the 29th São Paulo Biennale and “Eva-Argentina. A Contemporary Metaphor “, the country’s entry in the 55th Venice Biennale. We examine the metaphors used in the articles to refer to art and its relationship with politics, and find two main lines: the rhetoric of war and the semantic field of the territorial.
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Contemporary art, biennales, metaphor, politics, printed press, Arte contemporáneo, bienales, metáfora, política, prensa impresa