Sin título

Abstract

The project aims to expose the structures that give meaning to the central workshops, analyzing the spatial configuration and dimensionality. Methodologically, it explores a formal system of artistic appreciation to understand the materiality of ideas and emotions, questioning cultural and social dimensions. Gómez approaches his work from a poetic perspective, recognizing its corporeality and relevance in the current context.

The plastic presentation of the project is not just an end, but a means to dialogue with everyday realities. The formative process is considered more important than the final result, inviting a broad reading that challenges the purpose and creative continuity. The project also includes poems written between 1996 and 1998, which reflect an existential manifesto in the disposition of the artistic work. In addition, several plastic works are mentioned with their respective techniques and dimensions, including "Plano Dos Líneas" (Plane Two Lines), "Plano y Línea" (Plane and Line), and "Tres Puntos" (Three Points).