La fotografía como herramienta para la puesta en escena

Abstract

In this monograph work, a follow-up of photography was developed as a tool to strengthen the creative process of the actor, by exercising his own vigilance of the creative process. This is related to the system that Konstantin Stanislavski developed as techniques that require concentration, intensity and attention in the stage, which requires a reflection not only on the stage, but on the backstage, the dressing room, the backstage or , as I will call it here, the after scene. The analyzed photographs find their origin in the process of creation of the sample of Integral material seen in the fifth semester (specifically in the assembly of The Three Sisters of Anton Chekhov), a research laboratory space, both for acting students and of direction.