La importancia de la música para una obra o escena teatral

Abstract

The objective of this memory document is to introduce performing arts students from any part of the world to some basic tools for the musicalization of a theatrical work, based on the analysis of postulates of several prominent theorists who have developed studies on music on the scene. such as Jorge Fonte, Tarkovsky, Dalcroze and Copland and linking some aspects that Santiago García proposes in his dramaturgical categories with music for the scene. Furthermore, it is a work that invites the development of the musical ear for the benefit of scene construction since I perceive an abandonment of this aspect in the acting training institutions where I have been where the development of bodily, vocal or interpretive skills is prioritized but they usually leave this first one aside. Understanding music not as a complement but as a fundamental component for the theater scene, the final purpose is to develop a “dodecalogue” through the conclusions I obtain where I will expose the ways found for musicalization in the scene tied with my experience as actress, director and musician.