Género y destino: la tragedia griega en Colombia

Abstract

Four elements have been installed in the title of this study. Four elements that continuously cross the fence of their own limits. “Genre”, “Destiny”, “Greek Tragedy” and “Colombia” seem to be, of course, the protagonists of the lines that follow. But the necessary ambiguity that is installed in the representative arts of the new millennium forces us to establish a series of precisions with respect to the meaning that these categories acquire in these times. it is In the first place, it is necessary to take into account that Gender and destiny: the Greek tragedy in Colombia focuses, in the first instance, on the world of theater. And when we talk about "Gender", we are using a denomination that is affected by that "confusion of terms" which, at the time, Patrice Pavis put forward in the explanation of the concept, in his famous Dictionnaire du theater.