Tierra de nadie

Abstract

Through the text, I not only involve theoretical terms and arguments that have allowed me to explore precisely ideas and ways of doing that have emerged through experience in academia and, indeed, through experience in art. It is imperative for me to delve into the text the idea of art as a form of self-knowledge, as a possible means of opening up dialogue, of confronted experiences in this territory called a work of art, where I assume, according to the Hegelian approach, that 'what we are as self-consciousness depends largely on others'; and, therefore, our human identity is a becoming of the social construct where the work of art may or may not have a demonstrative, experiential, speculative role, but is always reflective regarding that otherness that I refer to as 'the world.' When I refer to the world as otherness, I make a generalization that seems relevant to me, as the way I approach the idea of a work is that of the synchronicity exposed by Jung; a proposal that It becomes an individual-work that, in the reflection of the world, is in itself the world, but that must first go through a series of individual contemplations that lead it to a conclusion about what, as a work, I assume in this question: is it about recognizing the immeasurable singularity of the other and allowing them to be a living part of the work and therefore be a work?