Arte popular y crítica a la modernidad
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Universidad Distrital Francisco José de Caldas
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RESUMENEl arte popular, concebido como lenguaje, posibilita el descentramiento de los relatos modernos y pone en evidencia los vicios de la civilización a través de un posicionamiento ético-crítico que busca un horizonte de sentido humanizante para desterrar los excesos de la instrumentalidad positivista y cientifizante. Es mediante la incidencia del arte popular y su valoración simbólica que se pueden generar procesos de revisión histórica, para que junto al eclecticismo crítico, el nihilismo y la deconstrucción, se pueda arribar a una autonomía social e individual capaz de conformar una “utopía estética” que apunte a un “sentido orgánico de la vida”, a la interrelación armónica entre pensamiento, naturaleza y ser humano. Todo en beneficio de una subjetividad epistémica que dignifique al sujeto como centro, ante la arremetida de los excesos de la modernidad.PALABRAS CLAVESubjetividad epistémica, deconstrucción, eclecticismo, revisión histórica, positivismo lógico, utopía estética, metarrelato, diseminación.RURANKUNA RIGSISKA RIMAKUNA KUNAURAMANDASUGLLAPIKaipi nenakume imasami ñugpamanda kaugsaikuna kasaka mailla mailla tukurespa rinaku kai sutiname ailla kaugsajirú rima, maskaspa sugsinama allilla llullarispa tukuikunamanda mana allilla kaskata anchuchispa, churaspa sug allí llullakuna chasallata kawachiku ñugpa kausai sapallamanda mana llachachispa suma ima ruraikuna “ nukakin ruraspa kawachispa” minakume allilla “ kawachichu iuiaichi kausangapaallilla” atun llagtata munaspa chasallata pai nukachiwa kaipi ninakume parlaichi allila kaskata kunauramandakunata.IMA SUTI RIMAI SIMI:Rurai tukuikunamanda wallichii, kawaspa ñugpamanda iallilla llullai nukakin rurai.FOLK ART AND CRITIQUE OF MODERNITYABSTRACTFolk art, conceived as a language, enables the shift of our focus from modern narratives to the vices of civilization, through a critical and ethical stance that seeks a humanizing horizon of meaning in order to banish the excesses of positivist instrumentality. It is through the impact of popular art and its symbolic value that processes of historical revision can be produced, so that we can reach, along with critical eclecticism, nihilism and deconstruction, an individual autonomy capable of an “aesthetic utopia” that points to an “organic meaning of life”, to the harmonic interplay between thought, nature and human beings. All this will favor an epistemic subjectivity that dignifies the individual as center in face of the onslaught of modernity.KEYWORDSSubjectivity, deconstruction, eclecticism, historical revision, logical positivism, aesthetic utopia, metanarrative.ART POPULAIRE ET CRITIQUE DE LA MODERNITÉRÉSUMÉL’art populaire, conçu comme un langage, permet le déplacement de notre attention dès les récits modernes aux vices de la civilisation, à travers une position critique et éthique qui cherche un horizon humanisant de sens afin de bannir les excès de l’instrumentalité positiviste. C’est par l’impact de l’art populaire et sa valeur symbolique que le procès de la révision historique peut être produit, de sorte que nous puissions atteindre, avec l’éclectisme critique, le nihilisme et la déconstruction, une autonomie individuelle capable d’une « utopie esthétique » qui pointe vers un « sens organique de la vie », à l’interaction harmonieuse entre la pensée, la nature et les êtres humains. Tout cela favorisera une subjectivité épistémique qui ennoblit l’individu comme centre, face à l’assaut de la modernité.MOTS-CLEFSSubjectivité, déconstruction, éclectisme, révision historique, positivisme logique, utopie esthétique, méta-narration.ARTE POPULAR E CRÍTICA À MODERNIDADERESUMOA arte popular, concebido como linguagem, possibilita o descentra mento dos relatos modernos e põe em evidência os vícios da civilização a traves de um posicionamento éticocrítico que procura um horizonte de sentido humanizante para desenterrar os excessos da instrumentalidade positiva e “cientifizante”. É mediante a incidência da arte popular e sua valoração simbólica que se podem gerar processos de revisão histórica, para que junto ao ecletismo crítico, o niilismo e a desconstrução, se possa arribar a uma autonomia social e individual capaz de conformar uma “utopia estética” que aponte a um sentido orgânico da vida, à inter-relação harmônicas entre pensamento, natureza e ser humano. Todo em beneficio de uma subjetividade epistêmica que dignifique ao sujeito como centro, ante a arremetida dos excessos da modernidade.PALAVRAS CHAVESSubjetividade epistêmica, desconstrução, ecletismo, revisão histórica, positivismo lógico, utopia estética, metanarrativa, disseminação. Recibido el 10 de agosto de 2015Aceptado el 22 de septiembre de 2015
Folk art, conceived as a language, enables the shift of our focus from modern narratives to the vices of civilization, through a critical and ethical stance that seeks a humanizing horizon of meaning in order to banish the excesses of positivist instrumentality. It is through the impact of popular art and its symbolic value that processes of historical revision can be produced, so that we can reach, along with critical eclecticism, nihilism and deconstruction, an individual autonomy capable of an “aesthetic utopia” that points to an “organic meaning of life”, to the harmonic interplay between thought, nature and human beings. All this will favor an epistemic subjectivity that dignifies the individual as center in face of the onslaught of modernity
Folk art, conceived as a language, enables the shift of our focus from modern narratives to the vices of civilization, through a critical and ethical stance that seeks a humanizing horizon of meaning in order to banish the excesses of positivist instrumentality. It is through the impact of popular art and its symbolic value that processes of historical revision can be produced, so that we can reach, along with critical eclecticism, nihilism and deconstruction, an individual autonomy capable of an “aesthetic utopia” that points to an “organic meaning of life”, to the harmonic interplay between thought, nature and human beings. All this will favor an epistemic subjectivity that dignifies the individual as center in face of the onslaught of modernity
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Subjectivity, deconstruction, eclecticism, historical revision, logical positivism, aesthetic utopia, metanarrative., Subjectivity, deconstruction, eclecticism, historical revision, logical positivism, aesthetic utopia, metanarrative. Subjetividad epistémica, deconstrucción, eclecticismo, revisión histórica, positivismo lógico, utopía estética, metarrelato, diseminación