Estrategias de dramaturgia y memoria de creación actoral: Búsqueda de herramientas dramatúrgicas en un montaje teatral
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The following degree project will carry out the acting creation report on the staging of the play: Caligula by Albert Camus, directed by guest director Mark Maughan and will investigate the tools that the actor obtains in the staging process that allow him to be a playwright of his own creations, finding a better development of his literary dramatic writing. It is not about the well-known dramaturgy of the actor but about the tools that acting brings to dramaturgy. Carrying out a detailed observation of the editing process through an acting creation log that records the day-to-day rehearsals, focusing on the key points that the actor needs to understand about the dramatic structure that makes his interpretation of the character possible, in this way In this way, tools provided by acting are taken in and then used in literary dramatic writing, and the passage from acting to the creation of drama itself is broadly glimpsed. Actors not only play characters, they are also creators, they have tools to imagine new worlds, acting allows us to understand the performing arts from interpretation, but also from theory. This degree work analyzes definitions of dramaturgy by Patrice Pavis and Inés Stranger, the dramatic structure by Eliecer Cantillo, Raúl Serrano and The Anatomy of drama by José Luis García Barrientos, taking into account these authors it defines the basic tools of dramaturgy and the compares with the tools obtained in the acting creation process.