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Going through the death experiences on a recurring basis, it manages to become an impulse that leads to the study of life. It was as well from the analysis of lived experiences and under the tension that arises when visualizing life and death as a small thin thread capable of fraying at any time, that three creative processes assigned, somehow, between the performative and the theatrical. This is how the importance of reflecting the soul through artistic practices is raised, revealing all the possible reactions that we may have when we face situations that are not under our control. For this reason, life itself is taken as a construction reference through the real experiences that each participant wanted to expose, in order to make a transmigration of their emotions.