Pajarillo forastero composición e interpretación sobre el golpe de pajarillo a partir del estudio del estilo del cantante Orlando “Cholo” Valderrama y del arpista Hildo Aguirre

Abstract

The “PAJARILLO” the most representative hit in the context of the musical tradition of the Venezuelan plains of Colombia, is the central axis of this work and in a more punctual manner, an emphasis has been placed on vocal interpretation and the performance of the harp referring to two exponents with whom the authors of this text express closeness from their life experiences. Starting from the selection, description and analysis of two pieces performed by the harpist HILDO ARIEL AGUIRRE DAZA and the election and study of two themes in the voice of ORLANDO "CHOLO" VALDERRAMA, a compositional and interpretive proposal is made that allows us to give an account of the characteristic elements of the blow of the “PAJARILLO” framed by the style of the interpreters mentioned. In the exercise of the composition, in addition to the elements evidenced in the work of description and analysis, contributions from the common practice of the authors are involved, as well as the knowledge acquired in the studies carried out in the Faculty of Arts of the District University. Within the wide range of possibilities offered by the creation and interpretation of plain music, the blow of the bird as a standard of the loud sonority, offers in its development the encounter with the paradigm of this context, which in its literary content and instrumental development ; in their defined melodic contents in the harp and the voice as in the ingrained cohesion from the rhythmic and harmonic, they present the challenge that for this work becomes the highest point, leading to the achievement of the compositional fact, keeping the parameters concerning the formal structure of this coup, but allowing creative input from the eyes of those who develop it.