La erótica como transgresión de mi experiencia de ser mujer: un estudio de mi actividad pictórica del 2012 al 2016

Abstract

In the project entitled "Erotic as a transgression of my experience of being a woman: A study of my pictorial activity from 2012 to 2016 "ascribed to the Research Line, Critical Studies of the corporalities, sensitivities and performativities, of the Master's Degree in Artistic Studies, ASAB Faculty of Arts, research-creation is understood as inquiry, to speak from the experience of assuming myself as a woman-artist and developing a research process taking as reference the plastic work resulting from everything that happens in the dynamics of my life and being a woman from other routes than the established ones. For this, I start to make a critical and theoretical reflection of the following conceptual categories: Critical theory of corporeality, (Rico, 1999); reflection on manifestations of the regime biopolitics in Latin America, (Pedraza, 2004); reflection on the performativity of gender, (Butler, 1990); sensible sensory relationship modes for the assessment of intersensibilities, Sonia Castillo (2015) and the proposal on intersensibilities based on the Katya octádico model Mandoki (2006). Subsequently, I configure the methodological process that consists of the recovery of the experience of what was experienced as an artist woman through paintings, and analysis of the modes of relationship that I have established with my work, as a dynamic to transgress my experience of being woman through the plastic. Finally I present the reflection on the forms of transgression and erotic that are presented in the creative process. This experience transposes the experience and the possibility of splitting from the representation of the self-portrait, which allowed me to establish a methodological relationship between forms properly of the investigation, as it is the autoetnographic exercise realized in this process and the exercise of the self-portrait as fiction.