Puras cosas maravillosas

Abstract

This research work originated as an attempted adaptation and interpretation of the monologue Pure Wonderful Things by playwright Duncan Macmillan. Initially, finding that this monologue—inspired by personal experiences—could turn chaos into a powerful artistic expression and break down the barriers that separate actors and spectators. However, as it progressed, it became a risky bet that aspired to address the immense need to dialogue about the invisible battles and internal struggles about which little is said in the midst of a dizzying and indifferent society. The adaptation process was based on a variety of theatrical concepts and techniques, including the Participation Theater, the Theater of the Oppressed and the Theater Forum, which allowed the construction of a theatrical adaptation that unleashed a roller coaster of emotions, sensations and events, providing the opportunity for connection between theater, mental health and the possibility of generating self-care awareness. This study reflects on the multiple impacts that the staging of Pure Wonderful Things had. It examines both planned effects and those that emerged spontaneously during the process. Through this play, the possibilities of how theater can become a powerful therapeutic tool to help people living with anxiety and depression are explored, while promoting awareness and empathy.