Fragmentada adaptación escénica del Poema Extracción de la piedra de la locura, Alejandra Pizarnik

Abstract

Fragmentada, stage adaptation of the poem Extracción de la Piedra de la Locura by Alejandra Pizarnik, consigns the necessary topics for the research that gave way to the staging of the monologue that is titled with the same name and that relies on a Surrealist and Expressionist aesthetic. In order to use the non-dramatic text and bring it to the scene, it is required to analyze it from different historical, bibliographical and contextual references. In this manner, this research relate own prior knowledge to the knowledge learned in the academy. The work is developed through five approaches: conceptual approach, folder of direction, plan of direction, direction journal and the conclusions. Those approaches allows the creation of a hierarchical order to the artistic, aesthetic and conceptual terms that sustain the staging, since they expose the contextual, historical, literary and psychological components, as well as the necessary concepts for the assembly, the step by step of the scenic direction and the final result.