Territorio pereirano o territorio de olvidos, una radiografía de los modos de relación sintiente en tres obras representativas del 44 Salón Nacional de Artistas AÚN 2016

Abstract

In this Creation-Research the Modes of Sentient Relationship around the Pereira Territory are addressed through of three participating works of the 44th National Salon of Artists AÚN and my personal-social experience. This works are La Naturaleza de la Irrupción by Fredy Clavijo, La Oreja hueca de la Montaña y tres cuentos denigrantemente cortos by Ricardo Muñoz and Río Escultor de Piedras by Grupo Otún. The methodological bet is made from the autoethnography in its literary possibility, the genealogy and the interview. By the other hand, the assessment of the territory is made from the approach of Beatriz Nates and the appreciation of the intersensible was based on the modes of sentient relations proposed by Sonia Castillo in connection with the developments around the Artistic Matrix by Katya Mandoki. This investigation is a critical reflection that includes a fragment of the Colombian artistic institution, which has turned Pereira Territory into a territory of oblivion.