Entre ensayos y performatividad: Los estudios del performance y la política de la práctica

dc.contributor.authorHunter, Lynette
dc.contributor.authorBolles, Dylan
dc.contributor.authorCastillo Ballén, Sonia
dc.contributor.authorPalau, María del Carmen
dc.contributor.authorHernández, Álvaro Iván
dc.contributor.authorCastillo Ballén, Sonia
dc.contributor.authorGarcía Schlengel, María Teresa
dc.contributor.authorRamos Cuncanchún, Francisco
dc.date.accessioned2022-09-20T21:14:08Z
dc.date.available2022-09-20T21:14:08Z
dc.date.created2021-09
dc.descriptionProyecto de traducción resultado de investigación de la línea de investigación en Estudios Críticos de las Corporeidades, las Sensibilidades y las Performatividades, y del Grupo de Investigación para la Creación Artística adscritos al programa de Doctorado en Estudios Artísticos de la Universidad Distrital Francisco José de Caldas, Facultad de Artes ASAB. Resultado del Seminario Internacional de los Estudios Artísticos, y de la presentación de los estudios de la performance que la profesora Lynette Hunter hizo como profesora invitada en los espacios académicos del Seminario Nuclear II y Taller Laboratorio II del programa de Doctorado en Estudios Artísticos.spa
dc.description.abstractTranslation project resulting from research of the line of research in Critical Studies of Corporeities, Sensitivities and Performativities, and of the Research Group for Artistic Creation attached to the Doctorate program in Artistic Studies of the Francisco José de Caldas District University , ASAB Faculty of Arts. Result of the International Seminar on Artistic Studies, and the presentation of performance studies that Professor Lynette Hunter made as a guest professor in the academic spaces of the Nuclear Seminar II and Laboratory Workshop II of the Doctorate program in Artistic Studies.spa
dc.description.cityBogotáspa
dc.format.mimetypepdfspa
dc.identifier.editorialUniversidad Distrital Francisco José de Caldasspa
dc.identifier.isbn978-958-787-297-2spa
dc.identifier.isbn978-958-787-296-5spa
dc.identifier.urihttp://hdl.handle.net/11349/30208
dc.publisherUniversidad Distrital Francisco José de Caldas. Facultad de Artes ASAB. Doctorado en Estudios Artísticosspa
dc.relation.referencesButler, Judith. 1993. Bodies that Matter: On the Discursive Limits of ‘Sex’. Routledge.spa
dc.relation.referencesDe la Cadena, Marisol. 2010. “Indigenous Cosmopolitics in the Andes: Conceptual Reflec tions Beyond ‘Politics’”. Cultural Anthropology 25 (2) (May): 34-70.spa
dc.relation.referencesDerrida, Jacques. 1971 (1987). Limited Inc. (Samuel Weber y Jeffrey Mehlman, trads.). Nor thwestern University Press.spa
dc.relation.referencesHaraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial”. Feminist Studies 14 (3): 575-599.spa
dc.relation.referencesHunter, Lynette. 1987. Modern Allegory and Fantasy. Macmillan.spa
dc.relation.references—. 2005. “Equality as Difference: Storytelling in/of Nunavut”. International Journal of Canadian Studies 39 (3): 51-58spa
dc.relation.references—. 2014. Disunified Aesthetics; Situated Textuality, Performativity Collaboration. Montreal: McGill Queen’s University Pressspa
dc.relation.references—. 2016. “Listening to Writing: Performativity in Strategies Developed by Learning from Indigenous Yukon Discourse”. Journal of Canadian Studies 50 (1): 36-69spa
dc.relation.referencesLao Tse. 1998. Tao Te Ching. Shambala.spa
dc.relation.referencesManning, Erin. 2013. Always More than One: Individuation’s Dance. Duke University Press.spa
dc.relation.referencesPovinelli, Elisabeth. 2011. Economies of Abandonment: Social Belonging and Endurance in Late Liberalism. Duke University Press.spa
dc.relation.referencesStar, Jonathan, trans. 2002. Tao Te Ching. Tarcher.spa
dc.relation.referencesWilderson, Frank III. 2020. Afropessimism. Liveright.spa
dc.relation.referencesZhuangzi. 1964. Basic Writings (B. Watson, trad.). Columbia University Press.spa
dc.relation.referencesCode, Lorraine. 2006. Ecological Thinking: The Politics of Epistemic Location. Nueva York: Oxford University Press.spa
dc.relation.referencesCsordas, Thomas. 1999. “Embodiment and Cultural Phenomenology”. En Perspectives on Embodiment, G. Weiss y H. F. Haber, 143-162. Nueva York: Routledge.spa
dc.relation.referencesFoster, Susan, 2010. Choreographing Empathy: Kinesthesia in Performance. Nueva York: Routledge.spa
dc.relation.referencesHaraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective”. Feminist Studies 14: 3.spa
dc.relation.referencesHawhee, Deborah. 2005. Bodily Arts: Rhetoric and Athletics in Ancient Greece. Austin: University of Texas Press.spa
dc.relation.referencesHunter, Lynette. 1996. “The Puppeteer. Being Wedded to the Text”. Open Letter: Kroetsch at Niederbron, 9th Ser., Nos. 5-6.spa
dc.relation.references—. 2004. “Equality as Difference: Storytelling in/of Nunavut”. International Journal of Canadian Studies 22.spa
dc.relation.references—. 2005. Critiques of Knowing: Situated Textualities. Londres: Routledge.spa
dc.relation.references—. 2008. “Performatics: Making a Noun Out of an Adjective”. On Performatics: Performance Research 13: 2.spa
dc.relation.referencesLepecki. Andre. 2010. “The Body as Archive: Will to Re-enact and the Afterlives of Dances”. Dance Research Journal 42: 2spa
dc.relation.referencesLevin, Ted. 2006. Where Rivers and Mountains Sing. Bloomington: Indiana University Press.spa
dc.relation.referencesMassey, Doreen. 2005. For Space. Londres: Sage.spa
dc.relation.referencesMinh-Ha, Trinh. 1999. Cinema Interval. Nueva York: Routledge.spa
dc.relation.referencesNancy, Jean-Luc. 1991. The Inoperative Community. Minneapolis: University of Minnesota Press.spa
dc.relation.referencesNoe, Ilya. 2009. “Site particular”. En Mapping Landscapes for Performance as Research, editado por S. Riley y L. Hunter. Londres: Palgrave.spa
dc.relation.referencesPark, Chan. 2003. Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing. Honolulú: University of Hawai Press.spa
dc.relation.referencesSchoenberg, Arnold, 1975. Style and Idea. Nueva York: St. Martin’s Press.spa
dc.relation.referencesSuzuki. Shunryu. 1976. Zen Mind, Beginner’s Mind. Tokio: Weatherhill.spa
dc.relation.referencesTaylor, Diane. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press.spa
dc.relation.referencesWade, David. 2003. Li: Dynamic form in Nature. Nueva York: Wooden Books.spa
dc.relation.referencesBalibar, Etienne. 1997. Spinoza: From Individuality to Transindividuality. Mededelingen Vanwege het Spinozahuis. Delft: Eburon.spa
dc.relation.referencesBarad, Karen. 2003. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter”. Signs: Journal of Women in Culture and Society 28 (3): 801-82spa
dc.relation.referencesBrennan, Teresa. 2004. The Transmission of Affect. Ithaca: Cornell UP.spa
dc.relation.referencesDeleuze, Gilles y Félix Guattari. 1988. A Thousand Plateaus. Londres: Athlone Press.spa
dc.relation.referencesDerrida, Jacques. 1993. Aporias. Traducido por Thomas Dutoit. Palo Alto: Stanford UP.spa
dc.relation.referencesHaraway, Donna. 2008. When Species Meet. Minneapolis: U of Minnesota P.spa
dc.relation.referencesHunter, Lynette. 1999. Critiques of Knowing: Situated Textualities in Science, Computing and the Arts. Londres: Routledge.spa
dc.relation.references—. 2013. “Engaging Politics: Keith Hennessy’s Radical Devised Dance Theatre”. Performance, Politics and Activism: Scales of Production, editado por Peter Lichtenfels y John Rouse, 132-153. Londres: Palgrave Macmillan.spa
dc.relation.references—. 2014. Disunified Aesthetics: Situated Textuality, Performativity, Collaboration. Montreal: McGill Queen’s UP.spa
dc.relation.referencesHunter, Lynette y Richard Schubert. 2013. “Winning, Losing, and Wandering Play: Zhu angzian Paradox and Daoist Practice”. Journalism, Media and Cultural Studies 5 (Summer): 1-20.spa
dc.relation.referencesLaclau, Ernesto y Chantal Mouffe. 1984. Hegemony and Socialist Strategies: Towards a Radical Democratic Politics. Londres: Verso.spa
dc.relation.referencesLepecki, André. 2013. “Inside Dance Studies”. Dance Research Journal 45 (3) (December): 3-28.spa
dc.relation.referencesLevinas, Emmanuel. 1998. Otherwise than Being: Beyond Essence. Traducido por Alphonso Lingis. Pittsburg: Duquesne UP.spa
dc.relation.referencesManning, Erin. 2006. Relationscapes: Movement, Art, Philosophy. Londres: MIT Press.spa
dc.relation.references—. 2013. Always More than One: Individuation’s Dance. Durham: Duke UP.spa
dc.relation.referencesMassumi, Brian. 2002. Parables for the Virtual: Movement, Affect, Sensation. Durham: Duke UP.spa
dc.relation.references—. 2011. Semblance and Event: Activist Philosophy and the Occurrent Arts. Londres: MIT Press.spa
dc.relation.references—. 2015. The Politics of Affect. Cambridge: Polity.spa
dc.relation.referencesMorton, Timothy. 2011. “Sublime Objects”. Speculations II, editado por Michael Austin, Paul J. Ennis, Fabio Gironi y Thomas Gokey, 207-227. Nueva York: Punctum Books.spa
dc.relation.referencesOvergaard, Søren. 2007. “The Ethical Residue of Language in Levinas and Early Wittgenstein”. Philosophy and Social Criticism 33 (2): 223-249.spa
dc.relation.referencesPhelan, Peggy. 1993. “The Ontology of Performance: Representation without Reproduction”. Unmarked: The Politics of Performance, 146-186. Londres: Routledge.spa
dc.relation.referencesRead, Alan. 1993. Theatre and Everyday Life: An Ethics of Performance. Londres: Routledge.spa
dc.relation.referencesSedgwick, Eve Kosofsky. 2003. Touching, Feeling: Affect, Pedagogy, Performativity. Durham: Duke UP.spa
dc.relation.referencesWilson, Shawn. 2008. Research is Ceremony: Indigenous Research Methods. Winnipeg and Halifax: Fernwood Publishing.spa
dc.relation.referencesAhmed, S. 2006. Queer Phenomenology: Orientations, Objects, Others. Duke University Press.spa
dc.relation.referencesBenhabib, S. ed. 1996. Democracy and Difference: Contesting the Boundaries of the Political. Princeton University Press.spa
dc.relation.referencesClayton, Michelle, Mark Franko, Nadine George-Graves, André Lepecki, Susan Manning, Janice Ross, Rebecca Schneider, Noémie Solomon y Stefanie Miller. 2013. “Inside/ Beside Dance Studies”. Dance Research Journal 45 (3): 3-28.spa
dc.relation.referencesCode, L. 1995. Rhetorical Spaces in Gendered Locations. Routledge.spa
dc.relation.references—. 2006. Ecological Thinking: The Politics of Epistemic Location. Oxford University Press.spa
dc.relation.referencesGatens, M. y G. Lloyd. 1999. Collective Imaginings: Spinoza, Past and Present. Routledge.spa
dc.relation.referencesHaraway, D. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective”. Feminist Studies 14 (3): 575-599.spa
dc.relation.references—. 2007. When Species Meet. University of Minnesota Press.spa
dc.relation.referencesHarding, S. 1986. The Science Question in Feminism. Open University Press.spa
dc.relation.references—. 1991. Whose Science? Whose Knowledge? Thinking from Women’s Lives. Open University Press.spa
dc.relation.referencesHartman, S. 1997. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth Century America. Oxford University Press.spa
dc.relation.referencesHunter, L. 1999. Critiques of Knowing: Situated Textualities in Science, Computing and the Arts. Routledge.spa
dc.relation.references—. 2001. “Listening to Differentiated Public Voices”. Feminist Theory. Special Issue: Gendering Ethics/The Ethics of Gender2(2): 205-218.spa
dc.relation.references—. 2013. “Engaging Politics: Keith Hennessy’s Radical Devised Dance Theatre”. En Performance, Politics and Activism: Scales of Production, editado por P. Lichtenfels y J. Rouse. Palgrave Macmillan.spa
dc.relation.references—. 2014. Disunified Aesthetics. McGill-Queen’s University Press.spa
dc.relation.references—. 2016. “Ways of Knowing and Ways of Being Known”. En Embodied Performance, editado por L. Hunter, E. Krimmer y P. Lichtenfels. Rowman and Littlefield.spa
dc.relation.referencesKosofsky-Sedgwick, E. 2002. Touching Feeling: Affect, Pedagogy, Performativity. Duke University Press.spa
dc.relation.referencesLennon, K. y M. Whitford. eds. 1994. Knowing the Difference: Feminist Perspectives in Epistemology. Routledge.spa
dc.relation.referencesLovibond, S. 1983. Realism and Imagination in Ethics. Blackwell.spa
dc.relation.references—. 1994. “The End of Morality”. En Knowing the Difference: Feminist Perspectives in Epistemology, editado por K. Lennon y M. Whitford. Routledge.spa
dc.relation.referencesPovinelli, E. 2006. The Empire of Love: Toward a Theory of Intimacy, Genealogy and Carnality. Duke University Press.spa
dc.relation.referencesRead, A. 1994. Theatre and Everyday life. Routledge.spa
dc.relation.referencesRose, H. 1994. Love, Power and Knowledge: Towards a Feminist Transformation of the Sciences. Polity.spa
dc.relation.referencesStengers, I. 2005. “Introductory Notes on an Ecology of Practices”. Cultural Studies Review 11 (1): 183-196.spa
dc.relation.referencesStrathern, M. 2004. Partial Connections (updated edition). Rowman and Littlefield.spa
dc.relation.referencesTaylor, D. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press.spa
dc.relation.referencesWoodward, K. ed. 1999. Figuring Age: Women, Bodies, Generations. Indiana University Press.spa
dc.relation.referencesYoung, I. 1997. Intersecting Voices: Dilemmas of Gender, Political Philosophy, and Policy. Princeton University Press.spa
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.accessrightsOpenAccessspa
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectEstudios artísticosspa
dc.subjectPerformancespa
dc.subjectCuerpospa
dc.subjectTeatrospa
dc.subjectDanzaspa
dc.subjectArtespa
dc.subjectPerformatividadspa
dc.subject.keywordArtistic studiesspa
dc.subject.keywordPerformancespa
dc.subject.keywordBodyspa
dc.subject.keywordTheaterspa
dc.subject.keywordDancespa
dc.subject.keywordArtspa
dc.subject.keywordPerformativityspa
dc.subject.lembArte corporal - Ensayosspa
dc.subject.lembArtes de representación - Ensayosspa
dc.subject.lembArte - Ensayosspa
dc.subject.lembArtes escénicas - Ensayosspa
dc.subject.lembTeatro y sociedad - Ensayosspa
dc.subject.lembCuerpo humano en la cultura popular - Ensayosspa
dc.titleEntre ensayos y performatividad: Los estudios del performance y la política de la prácticaspa
dc.title.alternativeLos estudios del performance y la política de la prácticaspa
dc.typepreprintspa

Archivos

Bloque original

Mostrando 1 - 1 de 1
Cargando...
Miniatura
Nombre:
Entre-ensayos-y-performatividad.pdf
Tamaño:
10.29 MB
Formato:
Adobe Portable Document Format
Descripción:

Bloque de licencias

Mostrando 1 - 1 de 1
No hay miniatura disponible
Nombre:
license.txt
Tamaño:
7 KB
Formato:
Item-specific license agreed upon to submission
Descripción: