Cómo Pinto: un proceso de investigación creación sobre mi experiencia y práctica del pintar

Abstract

The present work of the thesis of the Master in Art Studies called "How I Paint: A process of research - creation on my experience and practice of painting", gives an account of the creation research from my experience and pictorial practice, which is ascribed in the Research Line in Critical Studies of Corporeities, Sensibilities and Performativities. Line that recognizes the investigation-creation as a laboratory of inquiry, from where I formulate the problémic question How Pinto? o How do the sensitivities and inter-sensitivities occur in my experience and pictorial practice ?, whose main interest I establish within a social and political fabric of the sensitivities and inter-sensitivities, the sensitive sensory relationship modes, based on the inquiry from myself, that is, from a feminine perspective where the painting of the case can be observed from a critical and reflective thought from , in front of what the creative pictorial processes mean starting with the prosaic and the stasis, as dynamics that may well contribute with the artistic studies, the research line and the thesis itself. From this perspective, I declare that the investigation was carried out in the first person (myself), recognizing that whoever does the creative activity can, besides generating work, play the role of researcher or researcher, that is, while they are also investigating , aspects that are relevant to be considered within the investigation that I carry out; and to this extent they can answer the question within this inquiry, from my artistic work as a painter. To fulfill this purpose, I took as a methodological route the Research Based on the Arts (IBA), using the resources of genealogy, ethnography and autoethnography, in order to develop the investigative process in my condition as Woman, Research Artist (MAI). I start from a genealogy, to trace the origin of my idea, need and desire to paint, as well as from a visual and narrative ethnographic study of the artistic production generated between 2001 and 2016; of the results obtained both in genealogy and in ethnography, I identify recurrences and aspects of technical, reflexive and creative interest, as guidelines to initiate the third moment that is given from the visual and narrative autoetnography of my own experience and practice pictorial, answering the research question.