Voces textuales y discursivas en Dolores, de Soledad Acosta de Samper
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Universidad Distrital Francisco José de Caldas
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El autor encuentra en los partidarios de los estudios subalternos una tendencia a considerar que las voces subalternas enuncian siempre y necesariamente discursos de resistencia a los discursos y las acciones de clase y grupos sociales dominantes. Demuestra, a su vez, la distinción entre discurso y texto, elaborada por algunas orientaciones actuales de la lingüística y la semiótica, que permite cuestionar esa supuesta homogeneidad. Llega a la conclusión de que Dolores es una novela monológica en la que las posibilidades polifónicas, ligadas a la puesta en escena de discursos subalternos contestatarios (otras conciencias, otras ideas, otros valores...), están fuertemente reprimidas (es el caso de Basilio) o radicalmente excluidas (es el caso de los sectores populares cuyas voces no se escuchan).
The author finds in the defenders of Secondary Studies atendency to consider that secondary voices always and necessarily announce discourses which are resistant to the discourses and actions of the dominant classes and social groups. At the same time, he shows the difference between discourse and text, elaborated by some present day orientations of linguistics and semiotics, which allows this assumed homogeneity to be questioned. Serrano comes to the conclusion that Dolores is a stream of consciousness novel in which the polyphonic possibilities linked with staging of secondary answering discourses (other consciousness, other ideas, other values...) are strongly repressed (in this case, Basilio) or radically excluded (which is the case of popular sectors whose voices are not heard)
The author finds in the defenders of Secondary Studies atendency to consider that secondary voices always and necessarily announce discourses which are resistant to the discourses and actions of the dominant classes and social groups. At the same time, he shows the difference between discourse and text, elaborated by some present day orientations of linguistics and semiotics, which allows this assumed homogeneity to be questioned. Serrano comes to the conclusion that Dolores is a stream of consciousness novel in which the polyphonic possibilities linked with staging of secondary answering discourses (other consciousness, other ideas, other values...) are strongly repressed (in this case, Basilio) or radically excluded (which is the case of popular sectors whose voices are not heard)
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Colombian literature, Dolores, Soledad Acosta de Samper, textual and discursive voices, Literatura colombiana, Dolores, Soledad Acosta de Samper, voces textuales y discursivas