Un Teatro que se Resiste a Olvidar la Barbarie la Imagen de la Guerra como Tendencia en la Dramaturgia Colombiana (2000-2015)

Abstract

This document is intended; to analyze dramaturgies using the issue of internal armed conflict in our country (Colombia) as the main creative input. It's my first approach to the Colombian dramaturgy and establishes itself as a search of memory in the current history. I propose then, approach theoretically to three dramaturgical pieces of contemporary Colombian authors in the first part of the twenty-first century where it has as its starting point the image of war: Kilele (2006) Felipe Vergara, Homo sacer (2008) Carlos Sepulveda and El Ausente (2011) Felipe Botero. Thought the reading and the analysis of these pieces, I have drawn a parallel similarities and creative writing styles of each piece, to analyze the creative historical moment of each of the selected playwrights. This analysis has been to finally understand the reason why the war and barbaric images have been from immemorial times, a creative springboard in contemporary national drama. This will take place from postulates raised by theorists such as Yves Lavandier, and Joseph Danan; looking as final result of the investigation, a reflection on the war as a creative input in writing and a document that serves as support to develop a piece of dramaturgy of conflict.