"Vacío" modelo de laboratorio para abordar una técnica actoral del absurdo

Abstract

In a period of history in which we constantly undertake unexpected changes, incompressible news, difficult to feel and to believe the concept of the absurd could be an excellent word to describe the context. the following document is a proposal for the planning and realization of a stage laboratory, research and practice of an actoral technique. the document is constructed through a memory and collection process. first of exercises lived in a seminar of performance abroad; which are finally consigned in a written way in an order of procedures to guide a type of practice in the actor. second by a list of particularities that characterize the dramaturgical origins of the absurd; derived from reading reports from martin esslin's book on the subject.