La continuidad en el delirio de las monjas muertas
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Universidad Distrital Francisco José de Caldas
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En este artículo presentamos una interpretación estética de la serie de grabados El delirio de lasmonjas muertas de Juan Antonio Roda. A partir de la triple continuidad del tiempo, el espacioy lo erótico queremos mostrar cómo la obra es un bloque de sensación. La investigación tuvoen cuenta, por un lado, la observación directa de los grabados finales de la serie, pruebas deestado y reproducciones existentes en diversos libros y catálogos de exposición; y por otro, laconsulta en diversas fuentes escritas (incluyendo casi todas las notas sobre el maestro Rodapublicadas en distintos medios). A partir de esto, encontramos aquellas posiciones críticasque determinaron por muchos años la mirada sobre la obra del artista y nos permitieron unaaproximación a esta como una cosa que se siente.
We present an aesthetic interpretation of the engravings in the series The Delirium of the Dead Nuns by Juan Antonio Roda. From the triple continuity of time, space and the erotic we show how the work constitutes a block of sensation. The research took into account, firstly, the direct observation of the final prints of the series, besides proofs and reproductions from several books and exhibition catalogs; then, several written sources (including almost everything written about Roda in various media). From this body of documentation, we find those critical positions that determined for many years the gaze given to the artist's work and allowed us to approach it as a thing that feels
We present an aesthetic interpretation of the engravings in the series The Delirium of the Dead Nuns by Juan Antonio Roda. From the triple continuity of time, space and the erotic we show how the work constitutes a block of sensation. The research took into account, firstly, the direct observation of the final prints of the series, besides proofs and reproductions from several books and exhibition catalogs; then, several written sources (including almost everything written about Roda in various media). From this body of documentation, we find those critical positions that determined for many years the gaze given to the artist's work and allowed us to approach it as a thing that feels
Palabras clave
Continuity, delirium, erotic, etching, Juan Antonio Roda, Continuidad, delirio, erotismo, grabado, Juan Antonio Roda