El grito y otras voces: en busca de un método para el desarrollo y entrenamiento vocal del actor

Abstract

The thesis proposes a theoretical and practical approach to developing a vocal training method for actors, based on the profound relationship between body, voice, and emotion. The research was conducted over fifteen months with students from the University of Rosario's theater group, combining theoretical foundations with practical experiences and physical exercises. The objective was to awaken bodily awareness and achieve balance and harmony through ancient techniques from the East, West, and indigenous traditions. Exercises in tantric yoga, stretching, abdominal work, and weight training were applied, which strengthened the body and improved support and vocal projection. Although physical changes and discomfort occurred initially, participants gradually gained more energy, strength, and bodily control. The research explored extra-quotidian states of consciousness through deep breathing and hyperventilation, which allowed for the emission of new and expressive sounds. The scream became an essential tool for releasing the voice, generating a more vibrant, flexible, resilient voice with improved diction.