Títeres “Panto Mano” interpretando personajes en “Fin de Partida” de Samuel Becket

Abstract

To get to define that the technique of puppets "Panto mano" was the most appropriate to support scenically texts that said the character of Hamm in the play "Endgame" by Samuel Becket, there was the need to be committed to days of rehearsals, in group and alone, to understand the energy of Hamm's character and also to understand how he interacted scenically with the other characters. The technique of puppets "panto mano" was never imposed, in this writing I will tell you how the technique of puppets "panto mano" came from listening and feeling the energy of the scene.