Presentar-Representar. Cuatro perspectivas en El fallecido ojo de vidrio

Abstract

Present-Represent. Four perspectives in The deceased eye of glass have as their starting point the need to generate dialogues between concepts and contexts related by postmodernism in the territory of the performing arts and dramatic and postdramatic theater. It is experienced through multiple questions about the actor, the characters, the drama, the text and the deep enigmas generated by the research-creation relationship in the context of the production process. theatrical staging in contemporary times. In The Deceased Eye of Glass an attempt is made to corroborate whether the relationship between the term presentation, directly associated with postdramatic theater, and the arguments of the theater in the construction of the character. These concerns are aimed at resolving the creative act taking into account that there are methods and techniques that ask about space, time, scenography, acting elements, sound, rhythm and above all the participation of the audience-witness, which is fundamental for the realization of a staging in the present.