Análisis de los elementos musicales de las obras en ritmo de Guaguancó, “Trabaja Media Unidad” y “Congo Mío” del Grupo Cubano “Los Nani” y desarrollo de arreglo para piano y bajo con adaptación del ritmo de Guagancó a Seis Congas más acompañamiento de voz líder, Coro, Catá, Clave y Shekere con nuevos elementos interpretativos

Abstract

It can be said that this work has three components, on the one hand, through careful consultation, contextualizes in time and space, the development of percussion instruments until reaching the Cuban percussion, and of course more exactly the soul of this project that are the congas. In the second we do the musical analysis that has to do with its metrical, melodic, rhythmic , technical and harmonic structure, which serves as the basis for the final and substantial part of it, based on two themes of the group of Cuban voices and drawers “Los Nani”, “Trabaja Media Unidad” and “Congo Mío”, I make an adaptation for six congas, piano, bass , leader voice, background voices, clave, catá and shekere accompaniment, where I intend to give the conga a leading role by performing “tumbaos” and even melodic turns into de base of guaguancó. Taking into account that the congas have been considered an accompanying instrument and often as one of second category, I think that this project represents an opportunity to exploit all its possibilities, and since there are almost no similar jobs, to be able to capture in it learnings achieved both in my training as an academic experience. Finally It will be shown as an musical product, taken in a live recording session using the best technical especifications.