El proceso de creación en el teatro contemporáneo a partir del montaje "La Herida" de Teatro Occidente

Abstract

This project consists in the systematization of the experience obtained by performing an internship as assistant director at Teatro Occidente, a theater group with a long history in Bogotá, which has based its stage work on the investigation of the crisis of representation and in the integration of the different languages of art, turning away from a traditional dramaturgy. Their explorations in this case go through video, closed circuits of television, sound design in situ, dance, scores of movement and actions in present and without characters approaching to the performance. To develop this systematization I relied on different sources of information such as the field diary of the follow-up made to the actors during the assembly, interviews with the director and members of the group, videoscopy and photographic material of the play