Metacrónicas: crónicas críticas en la crítica latinoamericana
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Universidad Distrital Francisco José de Caldas
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Este artículo plantea una reflexión que se inserta en el debate acerca de la posoccidentalidady el pensamiento latinoamericano. Para ello, proponemos el análisis de un proyecto artísticoperformativo y transdisciplinar: Metacrónicas de las actualidades, ya que lo consideramos unejemplo pertinente para repensar el arte y su relación con la construcción del conocimiento. Porsus características específicas, este proyecto se propone como una instancia no solo artístico/estética sino con implicaciones sociales y políticas, en tanto apunta a la actividad interpretativacrítica de los sujetos, instando a la resignificación de los contenidos que circulan por los mediosmasivos de comunicación. Derivado de esto, Metacrónicas refiere a la creación artística como unproceso colectivo en el cual todos los sujetos son activamente creadores.
The objective of this article is to reflect within the debate of post-occidentalism and Latin American thought. In order to do this, we propose the analysis of a performative and transdiciplinary artistic project: Metacrónicas de las actualidades (Metachronicles of the actualities), as we believe it is an accurate example to rethink art and its relation to the construction of knowledge. Due to its specific characteristics, this project is proposed not only as an artistic and aesthetic instance but also one that has social and political implications, since it points to the critical interpretative activity of the subjects and aims to redefine the contents that flow through the mass media. In this sense, Metacrónicas conceives artistic creation as a collective process in which all subjects are active creators.
The objective of this article is to reflect within the debate of post-occidentalism and Latin American thought. In order to do this, we propose the analysis of a performative and transdiciplinary artistic project: Metacrónicas de las actualidades (Metachronicles of the actualities), as we believe it is an accurate example to rethink art and its relation to the construction of knowledge. Due to its specific characteristics, this project is proposed not only as an artistic and aesthetic instance but also one that has social and political implications, since it points to the critical interpretative activity of the subjects and aims to redefine the contents that flow through the mass media. In this sense, Metacrónicas conceives artistic creation as a collective process in which all subjects are active creators.
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Critical, Chronicles, Latin American, Pensamiento lationamericano, perfomance transdiciplinar, posoccidentalidad, sensorialidad, subjetividad