Tejiendo los pasos en busca del arte como experiencia en la vida cotidiana
Author
Rivera Martínez, Luz María
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Abstract
Weaving the steps is a creation-research project that accounts for the relationship between art and my daily life experience and the transformations that my sentient-sentient being undergoes over the years, which accounts for my human being in condition feminine that remains dispersed in many bodies.
This exploration is located in the emotional ups and downs because of the confrontations between what is hidden from our experiences and that Other that we want to enter to look, investigate, understand and reflect. In the journey made through the cycles of my life, the place of childhood, the traces that are forging the house that I inhabit, the family that makes me up, the spaces through which I transit, the town, the city, the country , are the elements that cross my existence, which is transformed and undergoes diverse and surprising metamorphosis.
The experience with art allows me to understand the different ranges that reside in the duality of my existence, the ways of resisting and re-existing, the ways of being and doing, the relationship of the body and pain, life and death, in addition It keeps my memory alive. The result is this hybrid text composed of two parts, which crosses different artistic writings. Thus, in Part I there is a narrative inquiry divided into 9 chapters, a division that revolves around the concept of body and is interspersed by different images and poems. Part II gathers a critical reflection on this process of creation, which demands a close dialogue with different authors reviewed at the time of the Master. It is also composed of a series of portraits, as products of the gaze of the Other, a reflection on an event in Argentina that allowed me to confront my existential conclusions with those of other people and speeches, and finally, the sample of a catalog of works that in the future they will be exposed as another product of this research-creation.
Keywords: Experience, daily life, memory, body, tissue, resist-reexist, evocative self-ethnography
Abstract
Weaving the steps is a creation-research project that accounts for the relationship between art and my daily life experience and the transformations that my sentient-sentient being undergoes over the years, which accounts for my human being in condition feminine that remains dispersed in many bodies.
This exploration is located in the emotional ups and downs because of the confrontations between what is hidden from our experiences and that Other that we want to enter to look, investigate, understand and reflect. In the journey made through the cycles of my life, the place of childhood, the traces that are forging the house that I inhabit, the family that makes me up, the spaces through which I transit, the town, the city, the country , are the elements that cross my existence, which is transformed and undergoes diverse and surprising metamorphosis.
The experience with art allows me to understand the different ranges that reside in the duality of my existence, the ways of resisting and re-existing, the ways of being and doing, the relationship of the body and pain, life and death, in addition It keeps my memory alive. The result is this hybrid text composed of two parts, which crosses different artistic writings. Thus, in Part I there is a narrative inquiry divided into 9 chapters, a division that revolves around the concept of body and is interspersed by different images and poems. Part II gathers a critical reflection on this process of creation, which demands a close dialogue with different authors reviewed at the time of the Master. It is also composed of a series of portraits, as products of the gaze of the Other, a reflection on an event in Argentina that allowed me to confront my existential conclusions with those of other people and speeches, and finally, the sample of a catalog of works that in the future they will be exposed as another product of this research-creation.
Keywords: Experience, daily life, memory, body, tissue, resist-reexist, evocative self-ethnography
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