Examinando por Autor "Castillo Ballén, Sonia"
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Ítem "ANDADA" indagación sobre memorias, presencias y ausencias en mi proceso vital de des-plazamiento entre Bogotá y las Mesas NariñoMúñoz Gómez, Jesús Holmes; Castillo Ballén, SoniaWe have called "the walk", a collective procedure of research-creation Configured for the establishment and drawing of a series of both conceptual connections As experiential, narrative, corporeal, spiritual and performative that arise from my Condition and experience of displacement, which have been fanned artistically and conceptually By means of and in the midst of three specific voices: those of the other composing my journey; the Bibliographical and those of my own experience; Being the memory the central axis for the investigation Of the human aspect from the scope of the corporeity, the performativity and the Relation to the understanding of life in the proper sense of artistic studies.Ítem Añosas, de la esclavitud doméstica a la juventud acumulada un estudio de las inter sensibilidades en ámbitos de celebración de cinco mujeres representativas del proyecto 742 de la Secretaría de Integración Social de BogotáDíaz Lizarazo, Karen Nathalia; Castillo Ballén, SoniaThe research question for my thesis deals with the following aspects: How are the intersensitivities expressed during the performance of celebration by five women of Kennedy and Suba Districts and who take part in Project 742 of the Social Integration Secretary of Bogota? The answer for this question explores the critical issues on the tension regarding being an old woman and being an ‘aged woman’, conditions that I have experienced myself. Being an old woman is here perceived as the way state institutions address elderly women. On the other hand, being an ‘aged woman’ is the term I used to prove my conviction that these are elderly women rich in accumulated youth. This latter term was coined from my experience as a performer, a teacher and my own construction of the role of a woman inspired by both of my grandmothers. This research project was carried out from the performance ethnography approach, and used resources such as the performance, the photography and field notes. The outcomes of this project explain the category of ‘aged woman’ as an elderly woman that is able to experience magnified intersensitivities. For instance, their proxemics of loving themselves and loving each other, their visibility to disguise and reinvent themselves, their emphasis on laughter, their sounds and body language for healing, their sounds and eloquence to express happiness, their body expressions to have fun, and their dynamics of intermittency.Ítem Aromas e historiasRodríguez Silva, Angie Andrea; Castillo Ballén, SoniaThe purpose of this research-creation work was to study the intersensible manifestations of the olfactory experience, which arise in the practice of perfumery from the field of artistic studies. Thus, through performance, perfumery workshops and writing exercises, we seek to investigate how we smell and what happens to people when we smell. At the same time it allows to open a field of reflections around the relationships between scientific creation and the arts as methodological routes through perfurmance.Ítem Cómo Pinto: un proceso de investigación creación sobre mi experiencia y práctica del pintarCelis León, María Doris; Castillo Ballén, SoniaThe present work of the thesis of the Master in Art Studies called "How I Paint: A process of research - creation on my experience and practice of painting", gives an account of the creation research from my experience and pictorial practice, which is ascribed in the Research Line in Critical Studies of Corporeities, Sensibilities and Performativities. Line that recognizes the investigation-creation as a laboratory of inquiry, from where I formulate the problémic question How Pinto? o How do the sensitivities and inter-sensitivities occur in my experience and pictorial practice ?, whose main interest I establish within a social and political fabric of the sensitivities and inter-sensitivities, the sensitive sensory relationship modes, based on the inquiry from myself, that is, from a feminine perspective where the painting of the case can be observed from a critical and reflective thought from , in front of what the creative pictorial processes mean starting with the prosaic and the stasis, as dynamics that may well contribute with the artistic studies, the research line and the thesis itself. From this perspective, I declare that the investigation was carried out in the first person (myself), recognizing that whoever does the creative activity can, besides generating work, play the role of researcher or researcher, that is, while they are also investigating , aspects that are relevant to be considered within the investigation that I carry out; and to this extent they can answer the question within this inquiry, from my artistic work as a painter. To fulfill this purpose, I took as a methodological route the Research Based on the Arts (IBA), using the resources of genealogy, ethnography and autoethnography, in order to develop the investigative process in my condition as Woman, Research Artist (MAI). I start from a genealogy, to trace the origin of my idea, need and desire to paint, as well as from a visual and narrative ethnographic study of the artistic production generated between 2001 and 2016; of the results obtained both in genealogy and in ethnography, I identify recurrences and aspects of technical, reflexive and creative interest, as guidelines to initiate the third moment that is given from the visual and narrative autoetnography of my own experience and practice pictorial, answering the research question.Ítem Corporeidades ausentes: una mirada documental a las inter-sensibilidades de la desaparición forzada en Colombia [Trujillo, Puerto Berrío y Bogotá]Rodríguez Vergara, Elsy Karina; Castillo Ballén, SoniaAbsent corporealities: a documental glance to forced displacement inter-sensibilities in Colombia [Trujillo, Puerto Berrío and Bogotá], is an investigation-creation that investigates the relational processes and affectation of enforced disappearance in the communities and social sensitivities, as a practice of defragmentation of the collective body. The above, from the approach to re-existence practices, such as new senses of life after absence, made by different communities, for example in Trujillo through the annual pilgrimages that bring together different practices symbolic, artistic, poetic and political; as well as in Puerto Berrío, in the practice of adopting the dead as political births in the welcome by the community of the municipality; and in Bogotá, with social performances, articulated in sensitive fabrics, meaning and simultaneous collective actions of artistic, symbolic and poetic practices, presented in the city, in which relationships, modes and dimensions are shown in the that manifests the absence from inter-sensitivity processes in the Colombian social fabric.Ítem Del humor en la guerra y otras formas de pasar el dia olvidandoMontt Lozano, Fabio Andres Sebastian; Montt Lozano, Fabio Andrés Sebastián; Castillo Ballén, SoniaThis project was born from the initiative to recognize the relationship that family humor (my family) has with the Colombian armed conflict, taking as reference the family stories and anecdotes that have accompanied me for years, and is divided into two main sections, the investigation and creation, from the investigation the project focuses on the analysis of humor as a concept and the family as an object of study and in creation a commitment is made to narrative experimentation taking as a starting point the anecdotal crossing it with the historical, to de This form can be not only the result of the investigation but also an element of continuous dialogue with the formality of the investigation.Ítem Desvestir mis otrasGutierrez Castañeda, Ruth Evira; Castillo Ballén, SoniaThis is a study on clothing practices and how they are motivated and conditioned by various cultural and social factors. It is a study made from my own practice of every day dressing to find out how my experience with clothing is, and my interaction with others through my various outfits in everyday spaces. I use performance as a means of inquiry.Ítem Entre el bufón y el maestro idiota, teatralidad y corporeidad en la escuela(Universidad Distrital Francisco José de Caldas) González Cordero, Fredy Oswaldo; Castillo Ballén, SoniaAlguna vez, recostado en el umbral de la puerta del aula de clase, me preguntaba por el sentido de lo que hacía, justo después de que un hecho inusitado me hubiera dejado retumbando la cabeza. Una estudiante que estaba haciendo un juego de creación escénica a partir del monólogo de Darío Fo La violación , encontró un espacio y el tiempo para contar su propia historia. La ví llorar en escena y no por aquello que en teatro se llama verdad escénica sino porque, en verdad, le había ocurrido un hecho traumático desde los siete hasta los nueve años, había sido violada sistemáticamente. Al ver en escena aquello, encontré que el lugar de la clase de arte era para eso, para dar cuenta de verdades profundas.Ítem Entre ensayos y performatividad: Los estudios del performance y la política de la práctica(Universidad Distrital Francisco José de Caldas. Facultad de Artes ASAB. Doctorado en Estudios Artísticos) Hunter, Lynette; Bolles, Dylan; Castillo Ballén, Sonia; Palau, María del Carmen; Hernández, Álvaro Iván; Castillo Ballén, Sonia; García Schlengel, María Teresa; Ramos Cuncanchún, FranciscoTranslation project resulting from research of the line of research in Critical Studies of Corporeities, Sensitivities and Performativities, and of the Research Group for Artistic Creation attached to the Doctorate program in Artistic Studies of the Francisco José de Caldas District University , ASAB Faculty of Arts. Result of the International Seminar on Artistic Studies, and the presentation of performance studies that Professor Lynette Hunter made as a guest professor in the academic spaces of the Nuclear Seminar II and Laboratory Workshop II of the Doctorate program in Artistic Studies.Ítem La erótica como transgresión de mi experiencia de ser mujer: un estudio de mi actividad pictórica del 2012 al 2016Ayala Paz, Diana Marcela; Castillo Ballén, SoniaIn the project entitled "Erotic as a transgression of my experience of being a woman: A study of my pictorial activity from 2012 to 2016 "ascribed to the Research Line, Critical Studies of the corporalities, sensitivities and performativities, of the Master's Degree in Artistic Studies, ASAB Faculty of Arts, research-creation is understood as inquiry, to speak from the experience of assuming myself as a woman-artist and developing a research process taking as reference the plastic work resulting from everything that happens in the dynamics of my life and being a woman from other routes than the established ones. For this, I start to make a critical and theoretical reflection of the following conceptual categories: Critical theory of corporeality, (Rico, 1999); reflection on manifestations of the regime biopolitics in Latin America, (Pedraza, 2004); reflection on the performativity of gender, (Butler, 1990); sensible sensory relationship modes for the assessment of intersensibilities, Sonia Castillo (2015) and the proposal on intersensibilities based on the Katya octádico model Mandoki (2006). Subsequently, I configure the methodological process that consists of the recovery of the experience of what was experienced as an artist woman through paintings, and analysis of the modes of relationship that I have established with my work, as a dynamic to transgress my experience of being woman through the plastic. Finally I present the reflection on the forms of transgression and erotic that are presented in the creative process. This experience transposes the experience and the possibility of splitting from the representation of the self-portrait, which allowed me to establish a methodological relationship between forms properly of the investigation, as it is the autoetnographic exercise realized in this process and the exercise of the self-portrait as fiction.Ítem General Editorial(Revista Corpo-grafías, Estudios críticos de y desde los cuerpos) Castillo Ballén, SoniaÍtem Inter-sensibilidades de a burla. Prácticas de investigación-creación para la transformación de la experiencia de mí misma en relación a la gorduraRodríguez Ortíz, Linna Carolina; Castillo Ballén, SoniaThis research-creation project argues theoretically, experientially and creatively, my process of transforming the experiences of mis-present in my life related to teasing and violations towards my body for being a fat woman. I enunciate myself as a researcher performer of the artistic studies which resorts to the auto-poietic creative processes to re-invent, I declare myself as a daughter, sister, aunt, woman, crossed by the ideas of romantic love, of sexuality, of being a good woman, represented by my family and my socio-personal relationships, through parenting and rejection practices towards my body. I evidence the bad-being in all the dimensions of the experience of myself: personal, physical, energetic, social, labor, sexual ... and from there, I formulate the following research question: How to transform the experience of myself, in relationship to fatness through performance? This project is attached to the line of research in critical studies of corporeity, sensitivities and performativities, and has as a methodological statement the possibility of inquiring to understand. I gather the experience through methodological tools such as the writing of self-ethnographic stories, scriptural recording of dreams, personal corpo- graphy and genealogy of my family and from there I propose practices of creation of performance with the Group of Creation Pasarela, for to recognize myself in nakedness, in carnality and to try to improve my life. As final results, this project presents two contributions to the field of artistic studies, the first the assessment of the inter-sensitivities of mockery as mechanisms of violation to the body and the existence of people and the second in response to the question, proposes the moments of performance as a creative force for existence.Ítem Inter-sensibilidades del dis-gusto. Performancias del gusto y de la afectividad. Prácticas sensibles y colaborativas para la re-existencia.Cadena Roldán, Alba Mireya; Castillo Ballén, SoniaThe research-creation project is an experience of transformation of daily experiences of violence from an autopoietic process. It investigates how we interrelate in our family practices and how these dislocate our personal histories due to social, political, and cultural processes crossed by affectivity in the relationship between the countryside and the city. In processes such as understanding and interpretation about the inter-sensibilities of the tactility between taste and dislike through evocation, a methodological route has been woven of materialities. These are capable of transfiguring the regimes that have conditioned our existence, allowing us to share other liberating experiences. These spheres of re-existence make possible a turn in the autopoietic process as evidence of personal and collective transformations. From genealogy, autoethnography, poetic writing, performance, and video, a written document is constructed as a transdisciplinary journey where diverse sensitive experiences are mixed. The inter-sensibilities of dis-taste and shared tactilities are evidenced; around practices of eating with the hand in a sharing of daily pleasures and love, besides than as political actions of our corporeality in environments of reconciliation and reparation.Ítem Intercorporeidades juveniles, un estudio sobre los intercambios táctiles en el recreoNoguera Fonseca, Martha Judith; Castillo Ballén, SoniaThe Creating Research - "youth inter - corporalities. A study on tactile exchanges in school playtime" is an exploration of the hermeneutical order using a mixed methodology: on the one hand elements of Ethnography (field notes) and on the other hand, elements of the Research Based on the Arts (performance). This research inquires on the ways in which young students build their relations and get linked, particularly during playtime. This research assumes the body from the critical perspective of embodiment where body, spirit and soul are not separated elements but are part of the human being and constitute it. To obtain the material to be analyzed the young students’ point of view was taken into account. It was they who took field notes from playtime observations and built a performative piece from those. Young people are alive and present in this research. After analyzing the obtained material it is concluded that one of the ways how young people in schools get linked is from the extended senses that, for purposes of the research, are called extended tactilities. It is through the extended tactilities that effects are produced on the other, the other is "touched". In the context in which this research is conducted, the ways of touching are generally produced from violence. That is the reason why in the third chapter the construction of classroom experiences that enable young men and women to relate with the other by means of affection is proposed, as well as the recognition and empowerment of their educational processes, which involves touching the other not from the violence but from the emotional expanded tactilities, this makes resistance arise and is a place to escape from those violent types of relationships, types that were installed and naturalized in Colombian schools. The actions that are based on emotional expanded tactility belong to the creative - pedagogical order where the possibility of re-creating us is provided, both of them young guys and girls in school in relationships as well as me in my capacity as a master of arts against my educational practices.Ítem Intersensibilidades normativas contenidas en mi pielPiedrahita Quiceno, Sebastián; Castillo Ballén, SoniaNormative Intersensitivities Contained on My Skin, is an inquiry that reveals the ways in which family relationships and their disciplinary force exerting affective actions on the intersensible dimensions of one-self. Its transdisciplinary methodological results are part of the collective commitment of The School of Performance and Performatividades Pasarela. Arts of a Good Living, which together with a body of researchers from the Artistic Studies welcomes researchers to improve the conditions of life and help in the processes of re-existence, resilience and repair, of the social problems in the country, acting from the layers of the esthesis, in relation to the sentient. Thus, through genealogical exercises, autoethnographic stories of my family experiences and their ubity in a sentimental anatomy or Corpografía, felt as membranes in correspondence to bodily valences, the bodily marks that were more defined and anchored deeply in me are. Through the application of the criteria of the Ways of Sentient Relationship, we link materialidades corpográficas and family experiences as dynamics conception, pointing at registers and modalities of the octadic model articulated for qualitative studies in the dynamics of valuation, as well as social and biopolitical valuations in the dynamics of representation, finding 12 family disciplines contained in my skin. By performative practices and body action workshops, I present ways of self-knowledge and routes to transform the incorporated disciplinary experience, going through each action found from the corporation to make visible, denounce and resist the restriction strategies installed in my skin, exercised on gender and the development of my sexuality. Finally, we propose acción de embadurnamiento, as an experience that slides over haptic performativity and the awareness of the receptivity that the skin has as an interface, redefining the experiences of aggressiveness received, in order to convert the affectations into affects.Ítem Investigaciones sobre el cuerpo : Relatorías del encuentro “El giro corporal”(Universidad Distrital Francisco José de Caldas) Castillo, Sonia; Vejarano Soto, Elizabeth; Arbeláez Grundmann, María José; Calero, Solón; Rivera, Carmen Cecilia; Amaya García, Natalia; Rodríguez, Linna; Gilette Medellín, Celia; Rodríguez Vergara, Elsy; Bejarano Ochoa., Natalia; Noguera, Martha Judith; González, Fredy; Villalba Labrador, Raimundo; García Schlegel, María Teresa; Ospina Espitia, Martha Esperanza; Cáceres Jaramillo, Juan Fernando; Borrero, Juliana; Ferreira, María Cándida; Cardona, Hilderman; Carantón, Josué; Castillo, Leyla; Arango, Ana María; Aranguren Romero, Juan Pablo; Escobar, Manuel Roberto; Yáñez Canal, Carlos; Orozco Marín, Angela María; Castillo Ballén, Sonia; Castillo, Sonia [0000-0001-7044-1889]; Villalba Labrador, Raimundo [0000-0003-3978-0617]; Ospina Espitia, Martha Esperanza [0000-0002-6555-0180]; Cáceres Jaramillo, Juan Fernando [0000-0002-9971-1704]; Aranguren Romero, Juan Pablo [0000-0001-5892-2153]; Orozco Marín, Angela María [0000-0003-3282-9000]The First National Meeting of Research on the Body: The Corporal Turn has as its main objective to bring together researchers of the body in Colombia, to learn about various theoretical, methodological and research positions on the subject, as well as the routes and approaches that have been proposed to the study of different aspects that make up the body condition, such as emotions, representations, agencies, mentalities, languages, practices and techniques, genres, gestures, relationships and interactions, pedagogies, symbols, etc. The meeting aims to strengthen a national interdisciplinary network of studies on the body from which research on bodies in our local intercultural contexts is promoted, developed and disseminated.Ítem Mujer de carne y palabrasGonzález Garzón, Melida; Castillo Ballén, SoniaThis research-creation project wonders about her feminine condition, about her pain, about her sensitive way of seeing and feeling the world, from methodological routes such as autoethnography, performative ethnography and genealogy, the lived experience is collected and from there I propose practices of creation of performance and performed writing that summons a feminine universe to self-recognize through creative processes with the intention of becoming again and breathing in other ways my existence.Ítem Mujer esta escrito en infinitivo. Un estudio sobre representaciones sociales de mujer incorporadas por mí misma y las mujeres de mi ámbito familiar cercanoAmaya García, Natalia Isabel; Castillo Ballén, SoniaThis research - theoretical and creatively argues creating social representations of women who have been important in my own setup as women and women of my close family, helping me to understand and critically review our own stocks to project creative paths re- existence. From a mixed approach, takes up prospects for the Arts Based Research (IBA) and visual and performative ethnography using autoetnográficos resources; Here assume I as a party involved in the investigation from the process of observing participation of my own everyday life, which I share with the group of women who are part of this research: me, my mother, my maternal aunts and great-aunt paternal . Here experiential takes a primordial sense for the research done and it is assumed that knowledge are diverse and aim to achieve higher levels of social awareness and make significant contributions. Within this argument and final creation highlights the construction of the female from resistance to the re-existence, manifesting itself from some practices, particularly since this study, are associated with searches of self-knowledge and the development of self-awareness of what it might mean being female in projective and analytic sense of self.Ítem Pensar lo in-noble: una indagación/digestión para posibilitar una re-existenciaLondoño Muñoz, Ricardo Andrés; Castillo Ballén, SoniaThinking about in-noble: An inquiry-digestion to enable a re-existence is a narrative exercise that evokes the past and the autobiographical present in order to recreate a sort of spaces and styles of writing that has still sought out. Also, it is included words and quotes from people who accompany the investigation, visual texts, graffiti, photographs, fragments of personal histories, the daring of an action-performance, academic quotes and pseudo-poems to notice an inquiry which is crossed by the relationships between the body and the feces from the child´s care to understand the complexity of body orderliness.Ítem Procesos sanadores y creativos a partir de tres experiencias relacionadas con un accidente de tránsito, ocurrido en Bogotá Colombia, en febrero 9 de 2012Chaves Rodríguez, Martha Paola; Castillo Ballén, SoniaA mid a constant search to find different ways to purify the inner strength, that awakens in daily life before the aggressiveness expressed by the (supremacy of the human need to survive in our surroundings), the artistic creation is presented as an alternative that lets us free that which affects us, opening the way to the self-knowledge. Healing and Creative Processes based on Three experiences related with a Traffic Accident, occurred in Bogotá Colombia in febreruary 9 of 2012, it is a project of investigation where the use of various resources and artistic lenguagues such as the performance, a fanzine, a wix site and link, allow to identify and experience knowledge from the sensitive and the healing. The experiences are interwoven with themes such us physicality and performativity towards a reconfiguration of the current context to propose other perspectives of the events and issues in Colombian society in the XXI century.