La autoetnografía como herramienta que enriquece procesos de montaje e interpretación: Desde una ventana con loros, de Adina Izarra

Abstract

This work consists of a contextualization and musical analysis of the work for solo guitar Desde una ventana con loros, by the Venezuelan composer Adina Izarra. Subsequently, the performer makes an autoethnographic description in which, through a personal field diary, the process of studying and assembling the work, the construction of an interpretive proposal, and the introspection of thoughts and sensations associated with the work are described. music and with the same performer. This autoethnographic research and its integration into performance lead to important moments for the guitarist: self-knowledge, self-reflection, and self-observation, which function as a bridge that strengthens the relationships between the music and the performer.